From The Detroit Times, January 31, 1913. By Berton Braley. The game may be a hard one and the cash come slow You may be hoeing bravely on a long, long row. Perhaps the goal you’re seeking seems so far away That you wonder if the effort can be made to pay. But just when you are weary and the world seems vile, There’s something happens to you and it’s all worth while; For love comes in the picture, and your dreams come true When you find a little woman who believes in you. When the world is blind and careless through the long, long years When it doesn’t seem to bother with your hopes or fears When your friends are very doubtful and your foes are grim And everybody jeers you till your hopes grow dim; Still, you can make the riffle, you can come out best In spite of many doubters and of all the rest There’s nothing under heaven that a man can’t do If you have a little woman who believes in you!
Category: The Detroit Times
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The Believer
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The Song of the Camp
From The Detroit Times, January 17, 1913. By Bayard Taylor. “Give us a song!” The soldiers cried, The outer trenches guarding, When the heated guns of the camps allied Grew weary of bombarding. The dark redan, in silent scoff, Lay, grim and threatening, under; And the tawny mound of the Malakoff No longer belched its thunder. There was a pause. A guardsman said, “We storm the forts tomorrow; Sing while we may, another day Will bring enough of sorrow.” They lay along the battery’s side, Below the smoking cannon; Brave hearts, from Severn and from Clyde, And from the banks of Shannon. They sang of love and not of fame; Forgot was Britain’s glory; Each heart recalled a different name, But all sang “Annie Laurie.” Voice after voice caught up the song, Until its tender passion Rose like an anthem, rich and strong— Their battle-eve confession. Dear girl, her name he dared not speak, But as the song grew louder, Something upon the soldier’s cheek Washed off the stains of powder. Beyond the darkening ocean burned The bloody sunset’s embers, While the Crimean valleys learned How English love remembers. And once again a fire of hell Rained on the Russian quarters, With scream of shot, and burst of shell, And bellowing of the mortars! And Irish Nora’s eyes are dim For a singer dumb and gory; And English Mary mourns for him Who sang of “Annie Laurie.” Sleep soldiers! Still in honored rest Your truth and valor wearing; The bravest are the tenderest— The loving are the daring.
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Over the Hills to the Poorhouse
From The Detroit Times, December 19, 1912. By Will M. Carleton. Over the hill to the poorhouse I’m trudgin’ my weary way— I, a woman of seventy, and only a trifle gray— I who am smart an’ chipper, for all the years I’ve told, As many another woman that’s only half as old. Over the hill to the poorhouse—I can’t quite make it clear! Over the hill to the poorhouse—it seems so horrid queer! Many a step I’ve taken a toilin’ to and fro, But this is a sort of journey I never thought to go. What is the use of heapin’ on me a pauper’s shame? Am I lazy or crazy? Am I blind or lame? True, I am not so supple, nor yet so awful stout; But charity ain’t no favor, if one can live without. I am willin’ and anxious an’ ready any day To work for a decent livin’, and pay my honest way; For I can earn my victuals, an’ more too, I’ll be bound, If anybody only is willin’ to have me ‘round. Once I was young an’ han’some—I was, upon my soul— Once my cheeks were roses, my eyes as black as coal; And I can’t remember, in them days, of hearin’ people say, For any kind of a reason, that I was in their way. ‘Tain’t no use of boastin’, or talkin’ over free, But many a house an’ home was open then to me; Many a han’some offer I had from likely men, And nobody ever hinted that I was a burden then. And when to John I was married, sure he was good and smart, But he and all the neighbors would own I done my part; For life was all before me, an’ I was young an’ strong, And I worked the best that I could in tryin’ to get along. And so we worked together; and life was hard, but gay, With now and then a baby for to cheer us on our way; Till we had half a dozen, an’ all growed clean an’ neat, An’ went to school like others, an’ had enough to eat. So we worked for the children, and raised ‘em every one; Worked for ‘em summer and winter, just as we ought to’ve done; Only perhaps we humored ‘em, which some good folks condemn, But every couple’s childr’n’s a heap the best to them. Strange how much we think of our blessed little ones! I’d have died for my daughters, I’d had died for my sons; And God He made that rule of love; but when we’re old and gray; I’ve noticed it sometimes somehow fails to work the other way. Strange, another thing; when our boys and girls was grown, And when, exceptin’ Charley, they’d left us there alone; When John he nearer an’ nearer come, an’ dearer seemed to be, The Lord of Hosts He come one day an’ took him away from me. Still I was bound to struggle, an’ never to cringe or fall— Still I worked for Charley, for Charley was now my all; And Charley was pretty good to me, with scarce a word or frown, Till at last he went a courtin’, and brought a wife from town. She was somewhat dressy, an’ hadn’t a pleasant smile— She was quite conceity, and carried a heap o’ style; But if ever I tried to be friends, I did with her, I know; But she was hard and proud, an’ I couldn’t make it go. She had an edication, an’ that was good for her; But when she twitted me on mine, ’twas carryin’ things too fur; An’ I told her once, ‘fore company (an’ it almost made her sick), That I never swallowed a grammar, or ‘et a ‘rithmetic. So ’twas only a few days before the thing was done— They was a family of themselves, and I another one; And a very little cottage one family will do, But I never have seen a house that was big enough for two. An’ I never could speak to suit her, never could please her eye, An’ it made me independent, an’ then I didn’t try; But I was terribly staggered, an’ felt it like a blow, When Charley turned ag’in me, an’ told me I could go. I went to live with Susan, but Susan’s house was small, And she was always a hintin’ how snug it was for us all; And what with her husband’s sisters, and what with childr’n three, ’Twas easy to discover that there wasn’t room for me. An’ then I went to Thomas, the oldest son I’ve got, For Thomas’s buildings’d cover the half of an acre lot; But all the childr’n was on me—I couldn’t stand their sauce— And Thomas said I needn’t think I was comin’ there to boss. An’ then I wrote to Rebecca, my girl who lives out West, And to Isaac, not far from her—some twenty miles at best; And one of ‘em said ’t was too warm there for any one so old, And t’other had an opinion the climate was too cold. So they have shirked and slighted me, an’ shifted me about— So they have well-nigh soured me, an’ wore my old heart out; But still I’ve borne up pretty well, an’ wasn’t much put down, Till Charley went to the poor-master, an’ put me on the town. Over the hill to the poorhouse—my childr’n dear, good-bye! Many a night I’ve watched you when only God was nigh; And God’ll judge between us; but I will always pray That you shall never suffer the half I do today.
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Overzealousness
From The Detroit Times, December 13, 1912. While journeying along through life I often call to mind Zeb Wiggins, who was always in a fret; He really was at heart most conscientious of mankind, Assuming all the burdens he could get. Zeb took a steamboat once. He needed travel and repose. The doctor said, “Give all your cares the slip,” But he somehow got a notion, why or how nobody knows, That he ought to help the captain run the ship. He sat up all the night to watch for icebergs on the bow, Though sailing where the latitude was warm. He thought the porpoises were whales who meant to raise a row, And every cloud loomed up with threats of storm. He broke into the pilot house. They had to throw him out. A nervous wreck, he finished up the trip, And said the fact that all were safe was due beyond a doubt To the way he helped the captain run the ship.
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Symbolic Dancing
From The Detroit Times, December 10, 1912. By Berton Braley. Symbolic dances are the fad On many hundred stages; We see the dancers, thinly clad, All sorts and kinds and ages. With filmy draperies that cling And weird, uncanny motions, They symbolize such things as spring And passions and emotions. They dance a poem writ by Poe With great poetic frenzy. Their lack of garments goes to show They scorn the influenzy; They’ll dance a tragedy clear through With motions most symbolic Although they may appear to you As suffering from colic. In dances they’ll portray the past, The future and the present, And they’ll present, with detail vast, The poet and the peasant; They’ll dance a painting or a play, A novel, grim or merry, And in symbolic wise, some day, They’ll dance the dictionary!
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Thanksgiving
From The Detroit Times, November 27, 1912. By Margaret Florence McAuley. We thank Thee, God, for every gift Thou hast bestowed on man Through all the years, in every clime Since this strange world began. We thank thee for the prosperous year Now nearly at an end For all the comfort, peace, and joy Which Thou did’st freely send. We thank Thee, too, for each good deed Each helpful kind reform Which served to guide poor, struggling men To shelter ‘mid earth’s storm. We thank Thee that no earthly woe Can harm eternally But that the very pain we dread Binds us more close to Thee. Behind the cloud is light, behind The sorrow there is joy And all the foolish wrongs of earth Thy right hand can destroy. Thou Who hast guided in the past Wilt lead us to the end Power is Thine eternally To take, withhold, or send. And so our heart must still rejoice Since Thou art at the helm Guiding and lifting all mankind Up to a happier realm.
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A Comparison
From The Detroit Times, October 16, 1912. By Ida M. Budd. Old Biddy Minorca was out on the fallow, Briskly digging out worms for her downy young brood, Working now on the hillside and now in the hollow, (She found no small task to provide them with food.) When suddenly, out of the somewhere-or-other, A flash and a wide-sweeping circle of wings; ’Twas a great hungry hawk, and the chicks flew to mother With the cry of alarm such a happening brings. With great self-possession she called them to shelter, Just settling herself, with a cluck, on the ground, While her babies ducked under her, helter-te-skelter, And when the hawk swooped not a chick could be found. Then old Biddy turned on him, the principal factors Of her lightning maneuvers, her fierce beak and claw, And, when you consider the size of the actors, ’Twas as handsome a battle as ever you saw. And the hen came off best—oh, but say! how they praised her And called her a “jewel” and all the nice things! I am sure their attentions must quiet have amazed her As she hovered her brood ‘neath her motherly wings. Then, seeing no more of the dreaded sky-ranger, She led them away, clucking softly and low To assure them that she would protect them from danger At the risk of her life, let who might be the foe. But here’s Mrs. McBlankton who wishes the ballot And modestly asks for it—yes, suffragette— Not the kind that resort to the hammer or mallet, But she has boys and girls and the district is “wet” Or from other conditions she seeks to defend them, Yet you call her unwomanly, wanting a voice In her country’s laws, either to make or amend them, And you claim that the men have the sole right of choice. Now, why should a hen be considered a jewel For protecting her children so nobly and well, And a woman unwomanly (ah! that sounds cruel!) For the very same reason? Can anyone tell? You have them before you—the bird and the human. Just study them please, for a moment and then If you charge that the one’s an unwomanly woman I insist that the other’s an unhenly hen.