From The Birmingham Age-Herald, February 1, 1913. Certain creatures oft heard of, pray who ever saw? There’s the camel whose back broke beneath the last straw. There’s the wonderful goose that laid eggs of pure gold, And the bull that got in where the china was sold. There’s the ass that the skin of a lion doth wear, And the wrong pig we frequently get by the ear. The wild horses that never, no never could drag Us somewhere—there’s the cat we let out of the bag. There’s the bird that goes whispering secrets around, Whoever has seen it, whoever has found? There’s the oft-mentioned dog in the manger that stands, And the elephant someone has got on his hands. There’s the ravenous wolf from our doors that we keep, And the wolf that goes round in the clothing of sheep. There’s the nightmare that somebody tells us they’ve had. There’s the cat with nine lives and the March hare that’s mad. And the fox that declared that the high grapes were sour, And the grim dogs of war—it would take quite an hour Just to list all the odd, freakish creatures that we Nearly every day hear of, but never once see.
Category: The Birmingham Age-Herald
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Zoological Myths
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His Woeful Fate
From The Birmingham Age-Herald, January 29, 1913. The horns were blaring, loud and long, The drum went “Oom-ta-ta!” I saw a melancholy man Stand in the orchestra. He bowed him o’er his big bass viol And sadly sawed away, Although a show was on the boards ’Twas thought extremely gay. The chorus kicked so high, so high, The funny men came out, The audience roared its applause With laughter-laden shout; Contagious mirth filled all the air, Increasing all the while, But he who played the big bass viol Was never seen to smile. He ne’er looked upward to the stage, Where festive maidens danced, Though at his cold impassive face The leading lady glanced. Oblivious to all around And heedless of the crowd, His eyes scarce wandered from his notes, His head was ever bowed. Oh, what could be the tragedy Which held this man in thrall, Who seemed so passionless and calm And yet so sad withal? Had some great sorrow ruined his life, Or scandal’s tainted breath? Ah, no, we rather think that he Was simply bored to death. How oft he’s toiled through scenes like these Let no one try to say; His soul on such fare surfeited, He longs to slip away. And doubtless never again be forced To earn his daily bread Where banal jokes and “ragtime” songs Roll o’er his hapless head.
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The Happy Wayfarer
From The Birmingham Age-Herald, January 26, 1913. Bill Wanders was smoking And thusly he spake: The high cost of living Ne’er keeps me awake, I travel wherever It suits me to go— Far south when the blizzards Of winter time blow, Then north in the summer, To ‘scape from the heat. I sleep when it pleases, I’ve plenty to eat. I never pay money For riding on trains, A fight with the brakeman The worst of my pains. No hotel clerk flaunts me, No head waiter frowns, I tarry quite cheaply In dozens of towns. ’Tis true that my garments Aren’t always well pressed; It frequently happens I’m carelessly dressed. And needing a bath and A shave, maybe, too. But granted these hardships, My troubles are few. O glad is the life of A knight of the road, Though little respected At home or abroad. Let socialists rave and Economists fight, Bill Wanders will tell you This world is all right!
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Dawn of Peace
From The Birmingham Age-Herald, January 18, 1913. By John Ruskin. Put off, put off your mail, O kings, And beat your brands to dust, Your hands must learn a surer grasp, Your hearts a better trust. Oh, bend aback the lance’s point, And break the helmet bar; A noise is in the morning wind, But not the note of war. Upon the grassy mountain paths, The glittering hosts increase; They come, they come! How fair their feet— They come who publish peace. And victory, fair victory, Our enemies are ours; For all the clouds are clasped in light And all the earth with flowers. Ay, still depressed and dim with dew, But wait a little while; And with the radiant deathless rose The wilderness shall smile. And every dainty tender thing Shall feed by streams of rest; No lamb shall from the flock be lost, Nor nursling from the nest.
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Butterflies
From The Birmingham Age-Herald, January 6, 1913. By Harlowe Randall Hoyt. Butterflies, golden, and red, and brown, Dancing delirious to and fro, Light as the ghost of a thistle down, Where do you come from, where do you go? Flitting your fairy minuette, Silent as sunbeams you seem to be, Catching their gossamer gleams; and yet You are the spirit of melody. Back through the dark of the ages fled, When the world was young in its coat of green, Bearded Pan raised his shaggy head By the reedy marshes of Thrasymene; And seized his pipes, for his heart was rife With the thrill that pulsed through each leaf and tree, And he piped of Spring and the joy of life Till the forest echoed his melody. And the quiet people flocked forth to hear: Dryad and nymph, from wood and stream; Satyr, and faun, and the timid deer, Harking with velvet eyes agleam. As if ‘twere the ghost of the tune, indeed, Each liquid note, as it raised on high, Sprang from the end of the brown, dead reed, Into a fluttering butterfly. No more they listen to shaggy Pan, Piping his lilt by the water there; Ages ago they fled the van Of mortals, freightened with woe and care. But still from the reeds of the riverside, When the winds are whispering fancies free, Butterflies, fluttering far and wide, Spring from the magic melody.
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A Pastoral Tragedy
From The Birmingham Age-Herald, January 4, 1913. The passionate shepherd His lot doth lament; Sweet Phyllida left him— One morning she went. Some say ’twas an actor Who led her astray, And some say a chauffeur Upon the “White Way.” Alone on the hillside The desolate swain Sheds tears of deep sorrow That shower like rain. His pipe is neglected, He singeth no more, His flock is a-straying The wide country o’er. She spoke of his manners As boorish and rude, When she would a lover With polish endued. Then shortly she left him, The hard-hearted girl; Grown tired of day-dreaming, She longed for a whirl. A Shepard, she knew it, Saw little of life; She’d be in the swim as An actor-man’s wife. Or was it a chauffeur? We really can’t say, But sad is the shepherd Since she went away.
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The Secrets of the Sea
From The Birmingham Age-Herald, January 2, 1913. By Henry Wadsworth Longfellow. Ah, what pleasant visions haunt me As I gaze upon the sea! All the old romantic legends, All my dreams come back to me. Sails of silk and ropes of sandal, Such as gleam in ancient lore; And the singing of the sailors And the answer from the shore! Most of all the Spanish ballad Haunts one oft and tarries long, Of the noble Count Arnaldos And the sailors mystic song. Like the long waves on a sea-beach, Where the sand as silver shines With a soft, monotonous cadence Flow its unrhymed lyric lines— Telling how the count Arnaldos, With his hawk upon his hand, Saw a fair and stately galley Steering onward to the land— How he heard the ancient helmsman Chant a song so wild and clear That the sailing sea-bird slowly Poised upon the mast to hear— Till his soul was full of longing, And he cried with impulse strong— “Helmsman! For the love of heaven, Teach me, too, that wondrous song!” “Wouldst thou (so the helmsman answered), Learn the secret of the sea? Only those who brave its dangers Comprehend its mystery.” In each sail that skims the horizon, In each landyard blowing breeze, I behold that stately galley, Hear those mournful melodies— Till my soul is full of longing For the secret of the sea, And the heart of the great ocean Sends a thrilling pulse through me.
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The Wager
From The Birmingham Age-Herald, December 26, 1912. El Shamar was a builder Of fame long years ago; Ar Hamel was a poet Of whom we little know. But once, a legend has it, Shamar stood and smiled Before a palace golden Which he had reared and styled. “Ar Hamel, I’m a builder, And you a singer—say, You write a song; I’ll wager Your song first fades away!” Ar Hamel wrote a love song; A fragile thing it seemed Beside the palace golden That in the sunshine gleamed. But when the lofty palace Had crumbled into dust, And on the wind was dancing, The plaything of each gust; When Shamar long had vanished, Forgotten was his name, When Hamel, happy hearted, Was known no more to fame; Still in that land the love song Was sung by lovers true; The love song was immortal, Its theme forever new!