Category: Bisbee Daily Review

  • Metamorphosis

    From the Bisbee Daily Review, June 29, 1913.
     By Roy K. Moulton.
     
    
     When statesmen go to Washington
         They are brimful of reform.
     They are for the common people
         And they rant and rave and storm.
     
     Diagnosing the conditions
         They set forth the people’s ills,
     And they load the good old hopper
         With their remedial bills.
     
     For two weeks in January
         They kick up an awful dust,
     And they blow until you’re fearful
         That they’re really going to bust.
     
     Then they quiet down serenely
         And no longer tear their hair.
     And the folks in February
         Wonder if they are still there.
     
     Then the statesmen are forgotten
         Till, along in June we learn
     That the legislative body
         Is getting ready to adjourn.
     
     It is easy to make speeches
         And of grave reforms to shout,
     But it’s somewhat different when it
         Comes to carryin’ ‘em out.
     
     Promises are stock in trade with
         Statesmen who are seeking fame,
     But old Ultimate Consumer
         Keeps on digging just the same.
  • I Remember

    From the Bisbee Daily Review, April 22, 1913.
     
    
     I remember, I remember
         When courtin’ Sal I went;
     The parlor where so many
         Delightful hours were spent;
     The good old horsehair sofy,
         The crayon portraits, too,
     Which stared so impolitely
         As crayon portraits do;
     The whatnot in the corner,
         Filled up with ancient junk,
     The stuffed owl on the mantle,
         Who listened to the bunk.
     I peddled just like you did,
         When courtin’ of your gal,
     And life was simply heaven
         When I was courtin’ Sal.
     I remember, I remember
         How I marched up the aisle.
     The knot tied by the pastor
         Has held for quite a while.
     The horsehair sofy’s missing,
         They crayon portraits, too.
     We’re living in apartments,
         With modern stuff clear through.
     The stuffed owl is not with us
         Perched up above the grate;
     We have no corner what-nots,
         For we are up to date.
     I remember, I remember
         I married Sal you bet.
     The landlord and collectors
         Will not let me forget.
  • When I Left School

    From the Bisbee Daily Review, February 11, 1913.
     By Roy K. Moulton.
     
    
     I remember, I remember the day that I quit school
         I got a nice diploma for minding every rule.
     I was the wisest mortal who ever left the place
         There was no person like me in all the human race.
     I had old Homer faded and Solomon as well
         The real reach of my knowledge would take too long to tell.
     And I was downright sorry. It really seemed a shame
         That I should have to go out and teach the world its game.
     For I was tenderhearted and couldn’t bear to see
         The looks of jealous anger when people heard of me.
     
     The teacher, to assure me, was kind enough to say
         The other folks would manage to get along some way.
     I couldn’t quite believe him. You see that was before
         I’d taken my first toddle outside the college door.
     Then I set forth to conquer the poor old easy world
         With wind and weather charming and every sail unfurled.
     ’Twas several long years ago, how many I forget
         But still I don’t mind ownin’ the world ain’t conquered yet.
     I remember, I remember the day that I quit school;
         Since then I have been learnin’ how not to be a fool.
  • The Artistic Temperament

    From the Bisbee Daily Review, January 30, 1913.
     By Roy K. Moulton.
     
    
     Maggie Jones studied music and learned how to sing.
     And she went in quite strong for grand opera thing.
     When she visited home her reception was grand,
     But her language the old folks could not understand;
     For she spoke with a strange, almost foreign accent
     On account of her artistic temperament.
     
     Henry Peck was the pride and the joy of his town,
     ’Til one day he leaped into a sudden renown
     When he drew a cartoon which called forth glad acclaim,
     And secured a half-Nelson on old Mistress Fame.
     Then he quit work and hasn’t a single red cent,
     On account of his artistic temperament.
     
     Katie Binks made good money type-writing until
     Some one told her she had a fine artistic skill;
     And she went in for painting just three months ago
     And she spent all her coin on a fine studio.
     Katie’s just been ejected for missing the rent,
     On account of her artistic temperament.
     
     William Hanks was a blacksmith and was all the rage
     With the home talent shows, so he went on the stage.
     Now his wife has divorced him and he’s had a hunch
     That he’s well on the road to the gin mill free lunch.
     For hard work has not recently been Williams bent,
     On account of his artistic temperament.
     
     In the works of the slangist high art is a “shine,”
     And hereafter it’s naught but the old fame for mine.
     For three square meals a day and a quiet home game
     Is a mighty sight better than laurels and fame.
     For there’s no peace of mind and no lasting content,
     When you’re stung by the artistic temperament.
  • The Critic

    From the Bisbee Daily Review, January 28, 1913.
     By Roy K. Moulton.
     
    
     My father says the paper somehow ain’t got up just right.
     He finds a lot of fault with it when he reads it at night.
     He says there ain’t a gol dum thing in it worth while to read,
     And that it doesn’t print the kind of stuff the people need.
     He tosses it aside and says it’s strictly “on the bum”—
     But you ought to hear the holler when the paper doesn’t come.
     
     He reads about the weddin’s and he snorts like all git out.
     He reads the social doin’s with a most derisive shout.
     He says they make the papers for the wimmen folks alone.
     He’ll read about the parties and he’ll fume and fret and groan;
     He says of information it does not contain a crumb
     But you ought to hear him holler when the paper doesn’t come.
     
     He’s always first to grab it and he reads it plumb clear through.
     He doesn’t miss an item or a want ad—that is true.
     He says, “They don’t know what we want, them durn newspaper guys;
     I’m goin’ to take a day some time and go and put ‘em wise.
     It sometimes seems as though they must be deaf and blind and dumb”—
     But you ought to hear him holler when the paper doesn’t come.
  • The Result

    From the Bisbee Daily Review, January 25, 1913.
     By Roy K. Moulton.
     
    
     Old Ez Jones don’t chaw tobacker, for he quit on New year’s day,
     And he’s grouchy as a grizzly with an achin’ tooth, they say.
     Henry Perkins, he quit smokin’ and he feels so tarnal mean
     That he’s tried to start a scrap with every feller he has seen.
     So old Ez and Hank they chanced to meet one day in Tibbitt’s store,
     And we saw a scrap the like of which we’d never seen before,
     For they broke up all the furniture and knocked the stovepipes down
     And they’ve both been laid up ever since and livin’ on the town.
     
     Abner Hanks has quit hard cider and he is so all fired cross
     That his wife has thrashed him seven times to show him who is boss.
     Amos Higgins cut out swearin’ and gives his feelings vent
     He has booted all the cats and dogs wherever he has went.
     Deacon Stubbs has sued Hi Maskins and Hi has sued the Deac
     On their old time line fence squabble and their families don’t speak.
     Both have swore off takin’ snuff and both are out for war,
     But they neither of ‘em seem to know just what they’re lawin’ for.
     
     Old Squire Hibbard has been busy tryin’ suits and fixin’ bail,
     And there’s sixteen cases waiting and there’s twenty men in jail.
     Never seen such scand-lus doin’s in this little village, quite.
     Seems like everybody’s peevish and is looking for a fight.
     Some is nervous, some is gloomy, some is desperit and so
     It doesn’t seem like the same old town we allus used to know.
     But I guess she will get righted and congenial when the men
     Who have all been swearin’ off start in to swearin’ on again.
  • The Homely Man

    From the Bisbee Daily Review, January 23, 1913.
     By Roy K. Moulton.
     
    
     The homeliest man I ever seen was Ebenezer Brown.
     He was a sort of a laughing stock for folks here in our town.
     The jokers all told Eben that his face would stop a clock.
     If he looked at a pan of milk, it turned sour from the shock.
     The gals all turned poor Eben down. They didn’t like his style.
     The pretty fellers had him beat by many a long mile.
     
     So Eb got mad and went away and stayed for quite a while,
     And managed to accumulate a neat and nifty pile.
     The pretty fellers stayed around and flirted with the girls
     And took ‘em to the huskin’s and the other social whirls.
     Not one of ‘em was doin’ much but livin’ with their folks,
     And settin’ in the grocery store and crackin’ funny jokes.
     
     One day Eb came back to town up on a private car.
     He had a diamond shirt stud that would twinkle like a star.
     He didn’t care for money and he blowed it right and left.
     He had a bank roll that a feller couldn’t hardly heft.
     He set the old folks up for life and told in modest style
     About the way he’d gone away and gathered in his pile.
     
     Eb was just as homely as he ever was before,
     Perhaps a little more so than he was in days of yore.
     But still it dawned upon the pretty fellers mighty quick
     That Eb would simply go among the girls and take his pick.
     He took a good long time to choose did Ebenezer Brown,
     And then he wed the prettiest gal in all the gol ding town.
  • Mother’s Pumpkin Pie

    From the Bisbee Daily Review, October 2, 1912.
    By Roy K. Moulton.
     
    
     Some folks prefer the fancy grub they serve at swell cafes,
     And cookin’ by a foreign chef is really quite a craze.
     The bill of fare, in fancy French, they like to take in hand
     To demonstrate that they can make the waiter understand.
     They order up a high toned meal that may be very fine,
     But when it comes to eatin’ good, I want no French in mine.
     I like the good old-fashioned meal, not like the kind you buy.
     It ends up with a great big slice of mother’s pumpkin pie.
     
     We always start in with the soup that is so lickin’ good,
     That everyone is helped again—that’s always understood.
     And then we have a husky roast and fixin’s family style,
     With sweet potatoes, hubbard squash, and father’s bound to pile
     Enough on every feller’s plate to last him for a week,
     And we all eat till we can hardly think or breathe or speak.
     But e’en at that we have to save some space, for bye and bye
     The climax of the meal must come, in mother’s pumpkin pie.
     
     They talk about the joys of wealth and how to live in style,
     But I am glad that I must live the old way for a while;
     There’s no dyspepsia in the house when mother’s on the job,
     No indigestion, dizzy spells or gout araisin’ hob,
     The meals are always served just right in winter, spring and fall.
     I like the whole year’s bill of fare, but one thing best of all—
     When I am through with earthly things and take my place on high,
     It won’t seem just like heaven without mother’s pumpkin pie.
  • Back to the Soil

    From the Bisbee Daily Review, September 13, 1912.
    By Roy K. Moulton.
     
    
     They’re urgin’ weary city men to go back to the soil,
     To tinker up their shattered nerves by good old honest toil.
     They say it does a feller good to live close to the ground
     With not a high-toned French cafe for fifty miles around.
     That may sound fine and dandy when a feller is town-bred,
     And doesn’t know a spring tooth harrow from a foldin’ bed,
     But to us fellers on the farm who’ve been agin’ the game
     All of our lives, that sage advice sounds purty doggone tame.
     
     It ain’t so gol dum dandy and it ain’t so gol dum fine
     To hop out of the hay at four instid of eight or nine.
     It ain’t so ‘tarnal cheerful to do three hours’ work before
     The farmer’s wife yells: “Breakfast” from the old farm kitchen door.
     It ain’t no sort of easy snap to work right through till night,
     And do back-breaking stunts as long as there is any light.
     They say it is a rest-cure and it possibly may be,
     But as a rest it never yet has quite appealed to me.
     
     The poets write quite purty of the everlastin’ hills,
     The wooded glens and lowin’ kine and little babbling rills.
     Of course, it is the only life that’s healthful right along,
     But still it ain’t what you would always call a glad sweet song.
     There’s plenty of the other thing, the hard, heartrendin’ toil
     And I guess that them city guys who go back to the soil
     Would about one good hot day with sun a-beatin’ down,
     And then they’d pack their grips and gladly yell, “Back to the Town.”