From The Tacoma Times, October 11, 1912. By Berton Braley. We laugh at the way he swaggers and poses And talks of his triumphs in various parts, We grin at the tale which he grandly discloses, And yet—there is sympathy deep in our hearts; For his is a life which is brief in its glory And long, oh, so long, in its struggle and strain! Who minds if he boasts of a fame transitory And tells of it over and over again? For when on the stage he is placing before us The passion and beauty and wonder of life, The work of the masters who never can bore us, The love and the laughter, the stress and the strife. He makes us forget, for the time, all the real, The everyday world, in the world of romance; He wakes us again to our youthful ideal When love was a melody, life was a dance! And this he must do, though his own heart is breaking, Though life has been cruel and fortune a jade; Though fame stays a day and is years in the making, The “play is the thing,” and the role must be played! He serves us full well where the footlights are gleaming, So give him his “bravo,” his glad curtain call, And leave him in peace to his boasts and his dreaming— He’s earned them, in truth, and he’s paid for them all!
Month: October 2020
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The Actor
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Coming Home from School
From The Tacoma Times, October 10, 1912. By Edmund Vance Cooke. The buoyant boys, the gladsome girls are coming home from school! My blood runs red with revelry, though years have made it cool. The flit of little bodies and the bobbing mob of heads, Canary yellows, raven blacks, thrush browns and robin reds! The swirl of girlish garments and the letting loose of lungs, The babble and the Babel, yet the fusion of the tongues. O, Wisdom, thou'rt a droning dunce! O, Learning, thou'rt a fool! O, let me be a child again, and coming home from school. O, School house, I remember well how once I stood In awe Of your massive, passive countenance, your wide, omnivorous maw. An Ogre, you, with appetite for little girls and boys; You swallowed us in silence and you spewed us out with noise. Your stony stare glared at us as we hastened from or to you, But you never smiled, you never frowned in all the years I knew you, But we — we shrieked in ecstasy to rid us of your rule, And it's oh, to be a child again and coming home from school. As many hours as Jonah's days within the spacious fish The tyrant school house held us, and as much against our wish, And the vitals of our liberty had scarce begun to sprout Till this new Promethean vulture, all relentless, tore them out. Yet, even as a traveler across the scorching sands Is all the more rejoiced because he comes to fertile lands, So we leaped as from a desert to a garden sweet and cool; So it's oh, to be a child again and coming home from school! Of course, I've not forgotten that the troubles of our youth Were as vital in their seeming as our real ones are, in truth, But, by our backward vision now, how fruitful was our day! And the work we thought was irksome gave us appetite for play. And shall our eyes be wiser, when our present day is past? Tucked in our turf-trimmed coverlet, shall we behold, at last, That Life was all a lessonhouse, which irked us by its rule, But we are children once again and coming home from school.
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The Silent Man
From the Evening Star, October 9, 1912. By Walt Mason. Judge Rinktum makes no foolish breaks, no blunders bald or shocking; he goes his way day after day, and no one hears him talking. He answers “no” in accents low when some one asks a question, or murmurs “yes,” as in distress from verbal indigestion. He won’t debate, he won’t orate, or break his solemn quiet; he shakes his head—all has been said—he wants no wordy riot. So in the town he has renown as being crammed with knowledge; his bunch of brains more lore contains than Yale or Harvard college. We’re proud of him, this jurist grim, this man who never chatters; the referee and umpire he in all our village matters. The dames are proud when he has bowed in stately recognition; if Rinktum stands and shakes your hands, he betters your condition. Yet this old boy, our pride and joy, whom some consider greater than Cicero or G. Pinchot, is but a selling plater. If he should drain his massive brain and take out all that’s in it, he wouldn’t need to do the deed, much more than half a minute. Oh, just look wise and you will rise and have good things before you; but talk too much and you’re in Dutch, and no one will adore you.
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Midnight Attack
From the Rock Island Argus, October 8, 1912. By Duncan M. Smith. Oft in the stilly night When the cats begin to fight On the fence behind the lot Then I form a little plot As the window wide I throw And the yard I knee-deep sow With lots of bric-a-brac That was resting on the rack. Do the cats in wild alarm Run lest I should do them harm? Do they let the concert slide And proceed in haste to hide? No; they do not seem to know As I throw and throw and throw That a single thing is wrong With their piercing midnight song. Then I heave a pair of shoes That I wouldn’t care to lose, And I throw a kitchen chair, Followed by my wife’s false hair, Books and tables, sofa, rugs, Pots and kettles, pans and mugs, Writing pads, my rubber stamp, The piano and the lamp. Then the bedding and the bed From the tail piece to the head All are hurled into the gloom Till there’s nothing in the room. But the cats are good as new On the job when I am through. Nor do they a moment pause. They regard it as applause.
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Much Impressed
From the Rock Island Argus, October 7, 1912. By Duncan M. Smith. I took my little hopeful And sat him on my knee And tried to get the six-year-old To take advice from me. “I want you,” I said softly, “Always to be polite, And with the rude and naughty boys You must not scrap and fight. “With others do not quarrel And do not in your play Get angry with another boy Who wants to have his way. Give in without protesting, For you will always find That lasting friendships you will win By being true and kind. “Thus by your good example The other boys will see That it is better to be good And with their mates agree. Should one be so forgetful As to be rude or rough Turn on your heel and go away And he’ll feel bad enough.” ’Twas thus the lesson ended, And then I asked him, “Now, What would you do if some rude boy Should try to pick a row?” He thought about a minute, Then answered plain and clear: “I’ll tell you if you want to know. I’d biff him on the ear!”
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Home, Sweet Home
From the Omaha Daily Bee, October 6, 1912. Home, sweet home! How many men Have sung that song the world around, And longed to find themselves again Upon that sweetly hallowed ground! The sailor on the distant sea, The hunter high upon the hill, Each of them dwelling tenderly Upon its sweet relations still! The love of kindred fills the place To keep it beautiful and sweet Through all the years that come apace, And whatsoever we may meet. Nor ever man so base but tears Have dimmed his eyes the way along For knowing through the long, long years The truth of that immortal song. Home, sweet home! The world grows old, But that sweet song is ever young, And will retain its tender hold. So long as ever songs are sung, There is no other place the same, Wherever human feet may wend. And in that song we shall acclaim Our great love for it to the end.
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The Suffragette
From the Rock Island Argus, October 5, 1912. By Duncan M. Smith. And this woman, soft of voice, Of whom the poets sung, Who in the ages long ago Was forced to hold her tongue. Good sooth but she is making up And paying back the debt Piled up through all those silent years! Behold the suffragette! Our mother sat around and smiled When men in meeting rose, And when they grandly aired their views Her tongue was in repose. But now the words so long suppressed No longer clog her throat. She fires them out with emphasis And says she wants a vote. No longer will she sit at ease And let him have his way About affairs of church and state, For she will have her say. For when there is a talking fest You find her in the swim, And oftentimes, to his dismay, She knows as much as him. Yes, woman, you have grown a bit And learned a lot of things. You fly as high as any one Since you have spread your wings. Is it for better or for worse? We can’t exactly say: But, though man is a little dazed, He likes you anyway.
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The Silvery Lining
From the Rock Island Argus, October 4, 1912. By Duncan M. Smith. There’s no use in moaning In weeping and groaning. The sun may be shining Ere yet it is noon. His warm rays may cheer you And hope nestle near you, So cease your repining And look for it soon. Make end to the sighing For swift years are flying And joy at your casement Is calling to you. Make haste, then, to meet it. Go smiling to greet it. Give care its effacement And hide it from view. Oh, turn your face sunward And listen for one word, A message of sweetness, Of love pure and true! Be happy, my dearie; Be smiling and cheery, And then with completeness Will joy come to you.
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The Upstream Pull
From the Omaha Daily Bee, October 3, 1912. By W. D. Nesbit. It’s easy when you’re drifting with the current down the stream, When the oars are shipped beside you and the laughing waters gleam; When there’s naught to do but idle in the cushioned seat and bask In the happy, glowing sunshine while the water does the task. But there comes a sudden waking from the fancy and the dream When the time arrives that someone has to pull against the stream. The fellow who’s contented while the current bears him on Finds that every mile he travels shows a wished-for haven gone; Finds the water bears him softly where the waiting chances lie, But unless he does some rowing it will swiftly bear him by; Finds that down the stream the niches that he looks for are all full, And that if he’d seek the right one he must turn about and pull. But it’s easy—very easy—just to float along and dream, Yet the man some time discovers that he cannot float upstream, And he learns, too, that the world is full of folks that like to drift, But the farther down the river there the current grows more swift; And he also learns in sorrow that successful ones would seem To have no use for the fellow who will never pull upstream.
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Mother’s Pumpkin Pie
From the Bisbee Daily Review, October 2, 1912. By Roy K. Moulton. Some folks prefer the fancy grub they serve at swell cafes, And cookin’ by a foreign chef is really quite a craze. The bill of fare, in fancy French, they like to take in hand To demonstrate that they can make the waiter understand. They order up a high toned meal that may be very fine, But when it comes to eatin’ good, I want no French in mine. I like the good old-fashioned meal, not like the kind you buy. It ends up with a great big slice of mother’s pumpkin pie. We always start in with the soup that is so lickin’ good, That everyone is helped again—that’s always understood. And then we have a husky roast and fixin’s family style, With sweet potatoes, hubbard squash, and father’s bound to pile Enough on every feller’s plate to last him for a week, And we all eat till we can hardly think or breathe or speak. But e’en at that we have to save some space, for bye and bye The climax of the meal must come, in mother’s pumpkin pie. They talk about the joys of wealth and how to live in style, But I am glad that I must live the old way for a while; There’s no dyspepsia in the house when mother’s on the job, No indigestion, dizzy spells or gout araisin’ hob, The meals are always served just right in winter, spring and fall. I like the whole year’s bill of fare, but one thing best of all— When I am through with earthly things and take my place on high, It won’t seem just like heaven without mother’s pumpkin pie.